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We’re happy to announce that Don Thompson’s feature-length WWII action-drama ‘Kaltenhouse’ has won ‘Best Feature Screenplay’ at the 2020 New York Film Awards.

The script also won two top awards at the Festigious International Film Festival, where it won both the ‘Best Action Screenplay’ and ‘Screenplay of the Month’.

The script also won the Best Drama Screenplay at the Los Angeles Film Awards in 2019.

To say the least, we’re very happy the script is receiving recognition at these competitive and highly regarded festivals and events.

‘Kaltenhouse’ is based on the WWII memoirs of Norman A. Thompson (Don’s father) titled Kaltenhouse Remembered. The book can be found on Amazon here.

nextPix is shopping the project to Los Angeles based production companies and has also been working with European producers to find the best locations for production. If green-lit on schedule, the film should go into production in 2021 and be released in 2022.

Conversation #2 between Emmy award-winning journalist Ursula Pfeiffer and Don Thompson of nextPix — some great discussion and dialog, seeking a path forward for society.

https://youtu.be/XaoIcyEof5I

UrsulaDon

“They were like butterflies, it was like they never slept,” said Mr. Vounta, recalling the bombs that the U.S. dropped on Laos from 1964 to 1973. Mr. Vounta is one of the voices featured in This Little Land of Mines, a film by Erin McGoffa 2017 Student Fellow from American University. The film premiered at the Landmark Bethesda Row Theater on ThursdayJuly 18, 2019, to an audience of nearly 200 that filled the theater.

Read more here.

erin-world-premiereErin McGoff at the Q@A for ‘This Little Land of Mines’ World Premiere on July 18th, 2019.

Karina Longworth of LA Weekly provides a good overview:

The Cannes Film Festival (which ended its two-week run on Saturday) is nothing if not a study in contradictions. Studio product and tabloid fixtures — RPatz! KStew! “Le gentleman Brad,” as one daily rag heralded the arrival of annual attendee Pitt — butt up on the red carpet against international unknowns, some representing the national cinemas of impoverished and/or war-torn nations. Future Oscar winners are unveiled on the ground floor of the Palais du Cinema, as schlocky genre fare attracts buyers in the massive marketplace a floor below.

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